Jeruzalem movie 2016 movie#
The filmmakers could have wanted American audiences to watch the movie and appreciate their love for found footage. This might fit into the love letter aspect. The actors spoke English for the majority of the movie. One interesting aspect is that, though an Israeli film, JeruZalem was presented in English. It made JeruZalem feel like an Israeli love letter to found footage. They were still entertaining, shocking, and thrilling. It didn’t hurt the movie to recognize these moments. This was a compilation of found footage beats that audiences know and love. There were moments scattered throughout the movie that felt like they were lifted from other movies. Technology helped tell the story.Īlthough the story was a solid tale, JeruZalem was soaked in what has already come before in horror. It was a quick, easy way to give character profiles through social networking sites, show videos without needing everyone to sit around a computer, and have interactions with characters who were not present. However, this time we got to see user interface details that made for a better experience. There have been instances in other films where characters wear glasses with cameras. Instead of being a simple handheld camera, the movie spiced things up by filming through a pair of Google Glasses. There was more effort put into JeruZalem than many other movies of this type. Most people would write JeruZalem off as another in a long line of found footage movies trying to ride the waves of this style. While in the holiest of cities, demonic things began happening and the girls, along with their new friends, attempt to escape. The movie followed two young women from New Jersey as they travelled to Tel Aviv for vacation, only to be persuaded to go to Jerusalem instead. One of the more interesting ways was presented in JeruZalem, an Israeli horror film that got a limited American theatrical release in 2016. Different technological innovations have allowed different ways to capture point-of-view camerawork. That form of cinematography has grown old. People aren’t interested in seeing the standard “person holding a camera” movies popularized by The Blair Witch Project. With the film market being oversaturated with found footage and point-of-view horror movies, some sort of twist is becoming necessary in order to find an audience. When a couple of American young adults fly to Israel to visit the city of Jerusalem, a biblical nightmare falls upon the city
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